By Jerome McGann
A manifesto for the arts within the electronic age, A New Republic of Letters argues that the historical past of texts, including the equipment during which they're preserved and made to be had for interpretation, are the overriding matters of humanist learn within the twenty-first century. concept and philosophy, that have grounded the arts for many years, now not suffice as an highbrow framework. Jerome McGann proposes we glance as a substitute to philology--a self-discipline which has been out of style for lots of many years yet which versions the troubles of electronic humanities with excellent fidelity.
For centuries, books were easy methods to safeguard and transmit wisdom. yet as libraries and museums digitize their documents and readers abandon paperbacks for capsule desktops, electronic media are changing books because the repository of cultural reminiscence. whereas either the project of the arts and its conventional modes of scholarship and important examine are an identical, the electronic surroundings is using disciplines to paintings with new instruments that require significant, and sometimes very tough, institutional alterations. Now greater than ever, students have to get well the idea and approach to philological research if the arts are to satisfy their perennial commitments. Textual and editorial scholarship, usually marginalized as a narrowly technical area, will be made a concern of humanists' attention.
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Extra info for A new republic of letters : memory and scholarship in the age of digital reproduction
Is intersubjective and interactive” (Richards 5). What would such a model look like? The question can be sharply defined if we pose it with respect to the essential philological form that any “model of literary production” must be able to take. That basic form is the scholarly edition. The quest for Richards’s model has been pursued with greatest rigor in the tight little island of textual theory and editorial method. D. F. McKenzie became The Hero of Our Own Time not because he discovered the sociology of the text—we’ve known about that for a long time.
That comprehensive historical method was gradually displaced in the twentieth century, and the very term “philology” fell into disuse. In the horizon of Modernism, scholars turned to hermeneutics of many kinds and thence—after World War II—to the meta-interpretive interests that played themselves out, in equally diverse ways, under the general banner of Theory. ” is perceived as a technical or subdisciplinary (or even predisciplinary) question, as René Wellek’s influential mid-century handbook Theory of Literature (1949) makes very clear.
So if they create a website, reliability and sustainability are (or should be) primary concerns. In fact, however, most scholars who create online materials—the “content” is often excellent—often give little serious thought to either issue. For instance, most—nearly all—websites created in HTML will not outlive their creators, and the duration of the materials may well be much shorter even than that. Furthermore, suppose the materials are corrected or modified. Has provision been made to preserve those changes or even to keep an accurate record of them?
A new republic of letters : memory and scholarship in the age of digital reproduction by Jerome McGann